Big Day Out 2009 – Review by Darlene Brown

 

The Mint Chicks

The first act I saw of the day was the Black Kids – who, to be fair, I’d only heard one song from (which I don’t like). The band was tight; but when the singer asked the crowd in his drawly accent “are you having an alright time?” I responded “yeah, I guess so”. I will say that the lead singers voice was pretty unique, reminding one of an early Bowie.

Afterwards we had a wander around the grounds in the pleasant sun with partial cloud and a southerly breeze (bliss), and saw a bit of P Money’s set in the Boiler Room. He had some good classic hip hop tunes mixed in with longer renditions of his own songs. Went and watched the Ting Tings in the Beer-Corral and I think the word that best describes this duo is lacklustre. Catchy songs, but live they don’t translate.

We decided to wait to get up front for TVOTR, and with the new stricter security systems they have in place, we waited a long time to get into the D. It WAS made all the more enjoyable by Pendulum though, who seriously play the most fun DnB I’ve heard in ages! When the literal green-light was given for the crowd to enter the D, I was almost crushed by the desperate mob who had to hustle herd-like through the turnstiles to get in. But when we finally entered, it was pure comfort the whole way, actually to the point of having too much room! After their set we caught reliable rockers the Datsuns, who I think if you’ve seen once, you’ve seen a thousand times (not in a bad way – they are steady).

The Mint Chicks

Next up, the irrepressible Mint Chicks, who remain one of my favourite bands of all time after the performance they gave – despite the sound mix being weirdly muddled. It was the first time I had seen them play minus Micheal Logie, and although I did notice his absence, they still have “it”. Songs from the new album “Screens” sounded great – and in general MC fashion, their set did not lack controversy. When told to end their set, Kody announced their last song “Enemies” which they got a minute into…before the Black Seeds on the stage next to them literally started playing over the top of them, forcing them to stop.

The Arctic Monkeys were next on the list, and their songs sounded great, but I wish I had of seen them play at the Powerstation the night before. I think they struggled to exude enough energy for the whole stadium; which I imagine must be quite difficult!

We sat in the stands for Neil Young, who is without a doubt a rock legend. He still has all the moves, his voice was fantastic and his songs were as classic as ever; but after an afternoon of dance, he totally bummed me out! I found myself thinking of all my lost loves and all the bad things I’d ever done…and decided I’d better leave. Apparently the second half of his set got more upbeat, however I’d already ditched Neil for the Prodigy…

I had no idea how much I would enjoy the Prodigy. The energy and intensity of their MC’s Maxim and Keith reminded me of a wild, caged dog. They make you want to scream and dance at the same time. They played all of their old hits, and nothing from Always Outnumbered, Never Outgunned. I really thought they might be a bit tragic by now, they ended up being my favourite act of the day.

I’m already looking forward to what acts 2010 will draw to the BDO.

Kylie X 2008 – Vector Arena, Auckland, Monday 8 December [Review by Darlene Brown]

http://www.kylie.com/

Don’t laugh, but I went to see Kylie Minogue. I did get a freebie – but I will admit I was intrigued to see what a 24 million dollar show might look like…

I went to her second show, and had heard a lot of the audience from the first night made an effort to dress up; however I arrived to girls and their BFF’s (with accompanying boyfriend/husband brigade looking guiltily uncomfortable) and loads of gay guys.

Vector was at capacity, and our tickets may well have been situated atop Mt Everest they were was so high up. The show started with Kylie dressed Cleopatra-like, and went through several different costume changes – Cheerleader, Sailor (with accompanying Love Boat Theme and Barry Manilow cover), Gentleman, Sparkly…more Sparkly…but the annoying thing was that between each change, the show literally stopped! In terms of the stage, it was dressed with a giant visual backdrop projecting Madonna-esque images of Kylie relating to the different songs/sets, and was littered with androgynous dancers and a backing band.

Songs covered were from the new album “X” and pretty much all of her singles – there were two encores of which the last contained an accapella version of Locomotion and a normal version of I Should Be So Lucky…which in all honestly was the only song that nearly everybody got up to dance to (but not me).The crowd overall was pretty calm considering the nature of her music, but managed to get excited every time Kylie said “New Zealand”. Kylie did manage to chat with the audience during the show; she turned up the lights, looked out at the crowd and praised a few fans who had made an effort to dress up which would have definitely made their year.

Overall, my thoughts on the concert was that it was all a bit too High School Musical for my taste. In fact, I really disliked it! I thought it lacked emotion, grit, and Kylie came off as a poor mans Madonna. I went with an open mind, a little excited to see what kind of show a popstar of Kylie’s fame would produce; and left really disappointed! One friend who is a huge Kylie fan had a blast – and obviously the woman has sold millions of records. But without the effects and costumes, the show would have been a dead bore – and as my colleague the next day put it: “millions of people can be wrong, right?”

Buy: Kylie Minogue

Swamp City Longboards on the streets of VIC

I was floatin’ around the streets of Fitzroy and Brunswick East, Melbourne last month and came across a whole bunch of stickers from Christchurch based Longboard company Swamp City Longboards. What’s the chances…

For more pix visit: http://www.facebook.com/album.php?aid=62791&l=1e8b8&id=503245457

:: Dr H

Eye, Adam Willets, Grunge Genesis + Richard Neave [Event]

 

Christchurch’s BORDERLINE BALLROOM put on some of the most interesting sound based events in town! Why not check out their latest offering:

EYE
ADAM WILLETTS
GRUNGE GENESIS + RICHARD NEAVE
Saturday 6th Dec, 
Neibelheim (under SoFA Gallery, South Quad of the Arts Centre), Christchurch
8pm, $5

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EYE (DUN)
Eye are a Dunedin rock/electronic group who use a combination of guitars, drums, sampled sounds and shortwave radio to explore the extremities of both quiet and loud noise They formed in late 2003 as a trio of Peter Porteous (Empirical, Lapdog, Electricity), Nathan Thompson (Sandoz Lab Technicians, Sleep, Renderizors) and Peter Stapleton (Rain, Flies Inside the Sun, Sleep, A Handful of Dust, Terminals). Turntablist Ryan Cockburn, who also performs solo as Spit, was also a regular member throughout 2004 and 2005 and although now living in Melbourne still makes occasional live appearances with the group. So far Eye have released a split 10″ LP (with 3 Forks) and a CDR ‘Black Ice’ on the Dunedin label Unitedfairymoons and a second CDR ‘Meridian’ plus a 7″ single ‘Interlock’/ ‘Memory Slip’ on the Auckland CMR label. They have just completed a new CD ‘Winterwork’ scheduled for release in 2009. Eye last played in Christchurch at the Physics Room in 2005.

ADAM WILLETTS (CHCH)
Adam Willetts is a musician and artist whose practice shifts casually between hi-tech and handcrafted as he explores relationships and interfaces between people, technology and popular culture. His use of DIY electronics, radio, computers and game controllers creates dynamic and surprising live performances that carefully balance elements of fragile beauty with violent eruptions of static, electromagnetic interference and feedback. Adam has been performing and exhibiting throughout New Zealand and internationally since the late 1990s featuring at numerous festivals and exhibitions including Lines of Flight 2006 (Dunedin), TASIE 2006 (Beijing), S3D 2007 (Auckland), and Cloudland at ISEA 2008 (Singapore).

GRUNGE GENESIS + RICHARD NEAVE (CHCH)
Anyone who has seen that Youtube clip with the maggot crawling/extracted out of that woman’s head will know that the most horrifying aesthetic frisson always contains a humorous hint of incredible hypodermic detail – just enough to turn any creeping horripilation into a bit of a comic tickle. Horror and comedy occur as awkwardly proximate sidekicks. Horror’s so willing to descend into the depths of bathos rather than contracted ineluctable despair, while Comedy is eager to sink its teeth into that very Achilles’ Heel. The limits of the Sublime come forth in a similar way when we listen to the sounds issued by Crèche Grunge Genesis. Not a desertion of some archaic nineties apparel halcyon but a re-figuring of its formative promise via the albeit somewhat musty attire of its fin de siècle musical incline, Grunge Genesis will capsize the crescendo-oriented reason of Ravel’s Bolero by becoming tentatively yet radically anti-Terpischorean in its retreating crawl back from Pukers Baroque to Peter Gabriel-sanctioned World Music™ quiescence.

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this event is one leg of of a 2 WEEKEND, 2 CITY “radicalcartography” of Southern Sound… […forays into electromagnetic spectrum elucidation… expanded-field radiophony… noise-folk tradition… the social-geographics of soundculture reimagined as a poetics of city-drift… flat-earth frequencies for the google era… etc etc… featuring: EYE, ADAM WILLETTS, DIRT ROOM + TIM COSTER, GRUNGE GENESIS + RICHARD NEAVE, RADIO CEGESTE with NIGEL BUNN, A’SIDES for BETAVILLE, THE AUTO HARPIES, THE AESTHETICS, VOODOO GANGSTER…]

more on that soon + elsewhere…

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